The Best Microphone for Vocal Recording: An In-depth Review
Estimated reading time: 6 minutes
- Understanding different microphone types for vocal recordings.
- Insights from practical testing across a variety of microphones.
- Key comparisons of features, pricing, and ideal use cases.
- Guidance on choosing the right microphone based on individual needs.
Table of Contents
- Understanding the Landscape of Vocal Microphones
- My Testing Journey with Vocal Microphones
- Key Comparisons: Features and Pricing
- Practical Considerations for Your Setup
- Conclusion: Who Should Buy What?
- FAQ
Understanding the Landscape of Vocal Microphones
Before jumping into individual mics, let’s clarify what you should look for when choosing a microphone for vocals. The best microphone is a balance of budget, sound character, and your recording space.
Here’s a quick overview of the types:
- Dynamic Microphones: These are generally more rugged and less sensitive, making them ideal for untreated rooms and live performances due to their excellent off-axis noise rejection. Think of the Shure SM7B and the Electro-Voice RE20.
- Condenser Microphones: These are more sensitive and are great for capturing the nuances in vocals, but they often require sound treatment in the room. Models like the Rode NT1 and AKG C414 are prime examples.
- USB Microphones: For the simplest setups, USB mics like the Shure MV7+ offer both connectivity options and ease of use, great for beginners or those without an audio interface.
My Testing Journey with Vocal Microphones
Let’s start with a story from my recent home studio setup. I decided to host a mini test shootout to compare several microphones. I wanted to determine how each would handle various vocal styles: smooth singing, gritty rock vocals, and even spoken word samples.
Test Setup
I tested the following mics:
- Shure SM7B
- Rode NT1
- Audio-Technica AT2020
- AKG C414 XLII
- Electro-Voice RE20
I recorded using a Focusrite Scarlett 2i2 interface and monitored through my trusty Beyerdynamic DT 770 headphones. Each mic got its own chance, and I varied the preamp settings to ensure I wasn’t limiting the gain.
Initial Impressions
Shure SM7B
The SM7B is renowned for its outstanding vocal clarity and rejection of background noise. When I plugged it in, I noticed immediately how much presence it gave to my voice without sounding harsh or artificial—a go-to for radio and streaming. However, note that this mic requires a significant amount of gain (a decent preamp or cloudlifter is almost necessary), as it can come off weak in lower-end interfaces.
Rode NT1
The Rode NT1 doesn’t just look sleek; it’s known for having one of the lowest self-noise levels on the market. When I recorded with it, I was impressed by how accurately it captured brightness without overwhelming sibilance. The clarity matched my expectation from the specs. I found it perfect for soft, delicate vocals and voice-overs, though it might pick up unwanted room noise in untreated spaces.
Audio-Technica AT2020
As a fan of budget-friendly options, I was pleased with the AT2020. For the price, it delivers solid performance and detail in vocals. This mic is ideal if you’re starting out; it’s user-friendly and captures a variety of vocal types fairly well—though not quite at the same level as the pricier options. It shined in my spoken word samples but lacked the depth I wanted for singing.
AKG C414 XLII
Stepping into the realm of premium microphones, the AKG C414 XLII is a true powerhouse. It boasts multiple polar patterns, which allows for versatility during recording sessions. When I switched to this microphone, I felt like I was in a different world; the richness and depth it brought to vocals were staggering. It captured nuances brilliantly, handling every detail from soft whispers to belting notes.
Electro-Voice RE20
Lastly, the RE20 gave me a nostalgic feel of old-school radio. Its flat frequency response worked wonders for my rock vocals, keeping the tone consistent even as I moved slightly away from the mic. Not to mention, it handled plosives remarkably well. This is a strong choice for those in broadcasting or live situations.
Key Comparisons: Features and Pricing
Now, let’s break down the specs and features for a clear comparison. Below is a table summarizing each mic’s standout features and approximate prices:
| Microphone | Type | Noteworthy Features | Suitable For | Price Range |
|---|---|---|---|---|
| Shure SM7B | Dynamic | Full sound; great off-axis rejection; requires high gain | Pro vocals, podcasting | ~$440 Buy Here |
| Rode NT1 | Condenser | Low noise; bright detail; XLR/USB options | Studio/home vocals | ~$160 Buy Here |
| Audio-Technica AT2020 | Condenser | Affordable; reliable for different genres | Entry-level studio vocals | ~$120 Buy Here |
| AKG C414 XLII | Condenser | Multi-pattern; very detailed | High-end studio vocals | >$900 Buy Here |
| Electro-Voice RE20 | Dynamic | Flat response; minimal proximity effect | Broadcast, hip-hop, pop | ~$450 Buy Here |
Practical Considerations for Your Setup
So, which microphone should you choose? It ultimately boils down to a few criteria:
- Budget: If you’re on a budget, the Audio-Technica AT2020 is an excellent choice under $150. For someone looking to invest a bit more, the Rode NT1 offers studio quality without breaking the bank.
- Recording Environment: In a treated studio, you might go for the more sensitive AKG C414 or Rode NT1. If your room isn’t ideal, the Shure SM7B or Electro-Voice RE20 will reject background noise more effectively.
- Versatility: If you’re expecting to use the mic for different purposes (like instruments and vocals), then the AKG C414 or Rode NT1 gives you that flexibility.
- Preferred Sound: Each mic has its character—some are warm and smooth (like the SM7B), while others are bright and clear (like the NT1). Your vocal style will also dictate your choice to some extent, especially if you lean towards rock, jazz, or classical.
Conclusion: Who Should Buy What?
To wrap it up in practical terms:
- Shure SM7B: If you are serious about professional vocal recording, this one is legendary—but prepare to invest in a solid preamp.
- Rode NT1: Perfect for beginners and professionals alike, providing a clean, versatile sound.
- Audio-Technica AT2020: Ideal for entry-level users or those wanting decent quality on a budget.
- AKG C414 XLII: For serious studio setups or if you have a varied range of recording needs and want premium quality.
- Electro-Voice RE20: A staple for those focusing on broadcasting or tackling rock vocals effectively.
Whichever route you take, ensure to consider the entire recording chain—an excellent mic paired with a poor preamp can lead to disappointing results.
Check out our recommended gear on Geeksper for links to these microphones and more!
FAQ
What are the main differences between dynamic and condenser microphones?
Dynamic microphones are more robust and less sensitive, making them ideal for live performances. Condenser microphones, on the other hand, are more sensitive and better for studio recordings, capturing more detail.
How much should I spend on a microphone?
Your budget will depend on your needs. Entry-level microphones can be found for under $150, while professional-grade options can exceed $900.
Do I need a preamp for a condenser microphone?
Yes, most condenser microphones require a preamp to boost the signal for recording. Some USB microphones come with built-in interfaces that eliminate this need.
