Exploring the Best Microphone for Vocals in 2021: A Personal Experiment
Estimated Reading Time: 8 minutes
- Key Takeaway 1: The Shure SM7B is a versatile choice suitable for various recording scenarios.
- Key Takeaway 2: The Audio-Technica AT2020 offers affordability without sacrificing sound quality.
- Key Takeaway 3: The Rode NT1 excels in clarity and is ideal for capturing delicate vocal nuances.
- Key Takeaway 4: The LEWITT LCT 540 S provides exceptional transparency for serious recording.
- Key Takeaway 5: The LEWITT PURE TUBE delivers warmth reminiscent of vintage microphones.
Table of Contents
- Setting the Stage: Testing Methodology
- 1. Shure SM7B
- 2. Audio-Technica AT2020
- 3. Rode NT1
- 4. LEWITT LCT 540 S
- 5. LEWITT PURE TUBE
- Conclusion: Choosing Your Vocal Mic
- FAQ
Setting the Stage: Testing Methodology
Before diving into each mic, let’s clarify the testing environment. I paired these microphones with a range of gear, including various preamps and an audio interface, to gauge how they performed under different setups. I focused on vocal clarity, warmth, self-noise levels, and how effectively these mics handled dynamic vocal styles—from delicate whispering to belting high notes. Naturally, considerations like connectivity were crucial since many creators juggle multiple setups—USB and XLR options became pivotal during my evaluations.
1. Shure SM7B
The Shure SM7B is undoubtedly a legend in the mic community and rightly so. Known for its smooth response as much as for its presence in radio stations and music studios, this dynamic microphone excels in capturing vocal warmth.
Observations: Right out of the box, I noticed the construction is robust—this mic feels like it can withstand a hurricane. The gain requirements are higher than average, so make sure to use a high-gain preamp or a modest inline booster like the Cloudlifter. I paired it with the Focusrite Scarlett to test some podcasting and vocal recording scenarios. The results? Absolutely stellar! The SM7B tamed my boisterous voice without sacrificing clarity.
- Pros:
- Versatile; great for vocals, instruments, and broadcasting.
- Handles high volumes without distortion.
- Good feedback rejection, making it excellent for live scenarios.
- Cons:
- Requires significant preamp gain, which might be a hurdle for some.
- Heavier, necessitating a proper stand.
If you’re aiming for a classic sound that has graced countless albums, the SM7B remains an undeniable choice. Check the latest price here.
2. Audio-Technica AT2020
Next up, I decided to stretch my budget on the highly regarded Audio-Technica AT2020. This large-diaphragm condenser mic is celebrated for its affordability and stellar performance.
Observations: After plugging in the AT2020, I appreciated how effortless it captured vocals with a balanced tone. The detail was evident, particularly when I tested it with acoustic guitar backing—something that often reveals a mic’s character. Its neutral sound profile made it an ideal choice for spoken word podcasts and musical recordings alike.
- Pros:
- Affordable option without compromise in sound quality.
- Durable and studio-friendly with a simple setup.
- Handles loud sources well.
- Cons:
- Slightly sensitive to ambient noise, may require soundproofing for optimal recording.
For beginners or those on a budget who still want something solid, the AT2020 is a fantastic starting point. Check the latest price here.
3. Rode NT1
Entering the realm of ultra-low noise microphones, I decided to test the Rode NT1, which has gained accolades for its remarkable detail.
Observations: From the moment I plugged it in, the NT1 surprised me with its super low self-noise—almost non-existent! Consequently, intimate vocals and whispers came across with clarity, making it a perfect choice for ASMR enthusiasts or vocalists who want every nuance captured.
- Pros:
- Extremely low self-noise, ideal for delicate vocal nuances.
- Great clarity and detail across the frequency range.
- Solid build quality for studio use.
- Cons:
- May require careful placement due to its sensitivity.
- Price point higher than entry-level options like the AT2020.
For anyone looking to capture every subtle inflection in their singing or speaking voice, the Rode NT1 definitely stands out. Check the latest price here.
4. LEWITT LCT 540 S
The LEWITT LCT 540 S is another contender worth discussing. Known for its transparency and detail, this condenser microphone claims to deliver an exceptional sound while maintaining low self-noise levels.
Observations: During my testing, I paired it with a higher-end preamp, which made a noticeable difference. The LCT 540 S breathed life into vocal recordings with its clear and vivid detail. I was struck by how well it captured the airiness of my voice and the harmonic overtones in fine detail.
- Pros:
- Exceptional clarity with very low self-noise.
- Versatile in both studio settings and live applications.
- Excellent dynamic range that captures nuances effectively.
- Cons:
- Higher price point could make it less accessible for some.
- Precise gain adjustments needed to maximize performance.
If you’re serious about vocal recording and want a microphone that delivers transparency and detail, the LCT 540 S is a worthy investment. Check the latest price here.
5. LEWITT PURE TUBE
Last but certainly not least, I took a look at the LEWITT PURE TUBE microphone, a specialized tube microphone designed for warmth.
Observations: Plugging this one in felt like stepping back into time. The lush sound that flowed from it was reminiscent of that vintage vibe, an inviting richness that added character to the recordings. It easily handled louder vocals while gracefully offering a polished high-end!
- Pros:
- Warm tonal quality; perfect for capturing vocals in a nuanced way.
- Unique character that stands out from standard condensers.
- Great for project studios wanting a vintage sound.
- Cons:
- Slightly more cumbersome than other options, given the need for a power supply.
- Not as versatile as dynamic mics in certain live settings.
For vocalists who want a microphone with character and warmth, paired with the nostalgia of vintage sounds, the PURE TUBE does the trick beautifully. Check the latest price here.
Conclusion: Choosing Your Vocal Mic
Throughout my extensive testing in 2021, it became clear that the “best” microphone for vocals truly depends on your specific needs. The Shure SM7B remains a robust choice for broadcast and studio work, while the AT2020 offers incredible affordability and sound. The Rode NT1 provides detail for sensitive recording, whereas the LEWITT LCT 540 S excels in transparency, and the LEWITT PURE TUBE wraps your vocals in warm vintage tones.
For starters, if you’re building a home studio or looking to enhance an existing setup, any of the microphones from this review can significantly boost your sound quality. Just be mindful of their quirks—the gain requirements, ambient sensitivity, or unique tonal profiles.
If you’re just beginning your podcasting journey, consider the AT2020 or SM7B for all-around great results. For audio professionals or serious hobbyists, exploring the specialized models from Rode and LEWITT could take your vocals to a whole new level.
Check out Geeksper’s recommended gear or find the best mics here!
And remember, whether it’s a project studio or a live-performance setup, the right microphone is a key notch in your audio quality belt. Happy recording!
FAQ
- What is the best microphone for vocals?
- Are dynamic or condenser mics better for singing?
- How do I choose a microphone for my home studio?
What is the best microphone for vocals?
The best microphone for vocals depends on your specific needs, but options like the Shure SM7B and Rode NT1 are widely recommended for their performance and quality.
Are dynamic or condenser mics better for singing?
Condenser mics are typically better for studio recordings due to their sensitivity and clarity, while dynamic mics are often preferred for live performances.
How do I choose a microphone for my home studio?
Consider factors such as your budget, the type of recordings you will make, and whether you need USB or XLR connectivity. Always test microphones in your own setup, if possible.