Explore the Best Dynamic Microphones for Vocals

Best Dynamic Microphones for Vocals: A Personal Experiment

Estimated Reading Time: 7 minutes

  • Dynamic microphones are essential for live performances and studio work.
  • The Shure SM58 and Beta 58A are highlighted for their live applications.
  • The Electro-Voice RE20 excels in studio settings.
  • Choosing the right mic depends on vocal style and performance needs.
  • Read on for detailed comparisons and analysis of top contenders.

Table of Contents

Initial Thoughts and Setup

Arriving home after a long day at the studio, I was eager to dive into my latest experiment: testing several dynamic microphones, including the Shure SM58, Beta 58A, Sennheiser E935, Electro-Voice RE20, and the Heil PR series. The goal? To assess their performance across various vocal types and applications and find out which one really stands out.

Before I hit record, I ensured my studio was primed for testing—isolating ambient noise, checking my audio interfaces, and cleaning up my signal path. I aimed to evaluate different aspects such as frequency response, feedback rejection, and overall character, especially in untreated room conditions. With a simple yet effective vocal setup—an audio interface and flat EQ settings—I was ready to go.

Testing the Mic Giants: My Experience

1. Shure SM58

The Shure SM58 is legendary; I won’t even try to deny it. With its durable construction and cardioid pickup pattern, it’s a go-to for live performances. When I plugged it into my setup, I was greeted with a warm and natural sound that really accentuated my voice’s mid-range.

  • Pros:
    • Handles high sound pressure well without distortion.
    • Feedback rejection is remarkable—perfect for noisy venues.
    • Built like a tank—I’ve dropped mine more than I’d care to admit!
  • Cons:
    • It can sound a bit boxed-in compared to others on this list.
    • Lacks the upper mid-range clarity found in some of its contemporaries.

2. Shure Beta 58A

Next on my list was the Shure Beta 58A. With a tighter supercardioid pattern, I anticipated more presence and detail. Upon testing, the clarity was apparent—my voice cut through the mix easily during playback. It’s like the mic was eager to highlight nuances in my vocals that the SM58 may have subdued.

  • Pros:
    • Bright and clear vocal tone that shines in live settings.
    • Exceptional gain before feedback, which is crucial in live scenarios.
    • Definitely a live performer’s dream.
  • Cons:
    • Not as forgiving as the SM58; requires more mic technique.
    • Might be too bright for some vocalists, depending on the voice type.

3. Sennheiser E935

The Sennheiser E935 was next up, and I had high expectations. Known for its detailed, open sound, this dynamic mic pairs well with vocals that demand presence. I recorded a few spoken word pieces and was pleasantly surprised by how robust the sound was while still feeling smooth and articulate.

  • Pros:
    • Cardioid pattern and robust construction made it easy to handle.
    • Delivers clarity similar to a condenser mic, but retains dynamic ruggedness.
    • Effective side noise rejection—great for live settings.
  • Cons:
    • Slightly heavier, which might be a concern for some performers.
    • A little pricier compared to other dynamic mics in this category.

4. Electro-Voice RE20

Moving on to the Electro-Voice RE20, I was intrigued by its reputation for studio work. I switched gears and ran some full-band tests to see how it fared with backgrounds. The RE20 offers a large sweet spot and a neutral frequency response that genuinely allows the vocal to shine naturally without color.

  • Pros:
    • Low proximity effect—no unwanted bass boost when too close.
    • Built-in pop filter is a nice touch for recordings.
    • Adaptable for various vocal styles.
  • Cons:
    • More expensive than the other options, which might deter budget-conscious buyers.
    • A bit large for handheld use.

5. Heil PR35

Last, but certainly not least, was the Heil PR35. It’s designed to mimic the clarity of a condenser mic while holding up to the ruggedness of a dynamic. This microphone really impressed me with its airy high-frequency response, capturing small details in my vocal performance effortlessly.

  • Pros:
    • Excellent clarity with an extended high-end response.
    • Handles dynamics beautifully, accommodating softer singing styles.
    • Versatile enough for both live and studio use.
  • Cons:
    • It can be reliant on mic placement to hit the sweet spot.
    • Some users might find it overkill for straightforward applications.

Comparative Sound Analysis

To ensure my findings were comprehensive, I conducted a sound comparison. Using an audio editing program, I isolated vocal takes with each mic and subjected them to the same EQ and processing chain. The differences were notable:

  • The SM58 and Beta 58A excelled in live settings for raw power and vocal presence.
  • The E935 shone through with a blend of clarity and richness—perfect for lively performances.
  • The RE20 felt meticulous and natural, great for studio recordings.
  • Finally, the PR35 provided an almost condenser-like feel, fully showcasing nuances of my voice that I hadn’t heard clearly before.

Key Considerations

Choosing the right dynamic microphone should consider the frequency response, handling, and application, be it live performance or studio recording. Here are some final notes:

  • Frequency Response: Look for a mic that enhances clarity without harshness.
  • Polar Pattern: Most dynamic vocal mics are cardioid or supercardioid, impacting how sound is captured.
  • Sensitivity and Handling: Dynamic mics naturally handle higher volumes well without distortion—a crucial factor in untreated spaces.
  • Build Quality: Ruggedness is paramount, especially for traveling musicians and live performers.

Conclusion: Which Dynamic Microphone is Best For You?

In wrapping up my extensive testing of the best dynamic microphones for vocals, it’s clear the options available cater to a diverse range of needs. The Shure SM58 and Beta 58A are fantastic for live use, offering reliability and feedback rejection. If you’re pursuing studio clarity and high fidelity, the Electro-Voice RE20 is hard to beat. The Sennheiser E935 offers a balance, while the Heil PR35 blends the characteristics of a dynamic with the nuances expected of a condenser.

Your choice should ultimately resonate with your vocal style, performance environment, and budget. Hopefully, this review helps you navigate the world of dynamic microphones and find a home for the perfect mic in your setup!

If you want to invest in quality gear, remember to check Geeksper’s recommended selections.

FAQ

  • What is a dynamic microphone?
    A dynamic microphone is a type of microphone that uses a moving coil to convert sound into an electrical signal, making it highly durable and versatile.
  • Which dynamic microphone is best for live performances?
    Generally, the Shure SM58 and Beta 58A are considered the best for live performances due to their reliability and sound quality.
  • Can dynamic microphones be used for studio recordings?
    Yes, many dynamic microphones, such as the Electro-Voice RE20, are excellent for studio use, particularly for vocals and instruments.
  • How do I choose the right microphone for my voice?
    Consider factors like your vocal style, the microphone’s frequency response, and its pickup pattern to find the best match for your needs.
  • Are dynamic mics better than condenser mics?
    It depends on the application; dynamic mics are more rugged and better at handling high volumes, while condenser mics are often preferred for their clarity and sensitivity in studio settings.