Comparing AKG P120 and Audio-Technica AT2020

AKG P120 vs Audio-Technica AT2020: An In-Depth Comparison for Budding Creators

Estimated Reading Time: 6 minutes

  • Microphone Quality: Both the AKG P120 and AT2020 are strong contenders in the entry-level condenser microphone market.
  • Sound Characteristics: The P120 offers warmth, while the AT2020 provides clarity and neutrality.
  • Usability: The P120 is more beginner-friendly with added features, while the AT2020 is straightforward.
  • Applications: Choose the mic based on specific needs like vocals, instruments, or podcasting.
  • Final Decision: Both mics provide excellent value; choice depends on personal recording styles.

Table of Contents

Setup and First Impressions

It was a Saturday afternoon when I decided to set up a mini-shootout between the AKG P120 and the AT2020. I pulled them off the shelf in my home studio, both raw—no shock mounts, pop filters, or additional frills. Just the mics and my trusty audio interface. Both were hooked up with quality XLR cables, and I made a mental note to use the same preamp settings for a fair comparison.

The first thing I noticed was the build quality. The P120 felt robust right from the start—a full-metal structure that screamed durability. Meanwhile, while the AT2020 also sported a durable metal body, it felt slightly less rugged. This aspect could be significant if you’re someone who often travels with your gear.

Sound Quality: Diving Deeper

AKG P120

Once I got down to actually testing the microphones, a few distinct characteristics of the AKG P120 emerged. I plugged it in and began speaking into it and was pleasantly surprised by its clear and warm tone. The frequency response—an expansive 20 Hz to 20 kHz—was beautifully flat, with an extra richness to the midrange that made vocals shine.

During my testing with instruments like acoustic guitars, I found the P120 particularly capable. It captured the strumming’s dynamics while also adding a subtle warmth that made the recording inviting. However, I did notice that it could get a little muddy when I positioned it too close—an observation worth keeping in mind to retain clarity.

Interestingly, the P120 comes with a switchable bass roll-off filter and a -20 dB pad, offering considerable flexibility to adapt to various recording situations. It allows you to filter out unwanted low-end rumble or handle loud sound sources without distorting the signal.

Audio-Technica AT2020

Switching gears to the AT2020, I was greeted by a completely different sonic character. With its slightly brighter top-end, it produced a more neutral and accurate sound profile. I could understand immediately why the AT2020 is often dubbed a go-to microphone for studios—it lends itself beautifully to spoken word and vocals.

However, I found the higher frequencies—especially around that 10 kHz mark—tended to feel a bit harsh at times, especially if you were recording for an extended period. While the clarity was undeniable, it can be somewhat fatiguing when listening back to longer sessions. I used it for recording a few podcast snippets and my initial takeaway was that it delivered a decent amount of clarity but lacked some of the warmth that the P120 provided.

Handling and Usability

AKG P120

The P120’s added features didn’t just do wonders for flexibility; they made it more user-friendly, particularly for newcomers. With the bass roll-off and pad switch, this mic is a bit of a safety net against rookie mistakes. In my experience, those learning the ropes of audio recording can benefit greatly from a microphone that’s forgiving of handling errors. Plus, plosive sounds—those unfortunate bursts of air you get from “P” and “B” sounds—were easily managed.

Audio-Technica AT2020

On the flip side, the AT2020 felt slightly stripped down by comparison, lacking any onboard controls like the low-cut switch or pad. This can be a drawback if you’re looking for utility directly on the mic itself. However, its straightforward design also appeals to users who prefer a no-frills approach, focusing purely on capturing uncolored sounds.

That said, be prepared to utilize a pop filter to mitigate plosives—something you might not find necessary with the P120.

Technical Observations: Comparing Numbers

Here’s a quick recap of key specifications that emerged from my tests and research:

Feature AKG P120 Audio-Technica AT2020
Max SPL 130 dB (150 dB w/ pad) 144 dB
Self-Noise 19 dB-A 20 dB-A
Weight 453 g Slightly lighter

Both microphones had impressively low self-noise levels, making them acceptable for most recording scenarios, though if you’re aiming for ultra-quiet applications, you might want to look into higher-end models.

Applications: Who Should Use What?

Now, let’s dive into where each mic shines.

  • Vocals: If you produce a lot of spoken content—think podcasts or voiceovers—the AT2020 might be slightly more up your alley, given its neutral tone. Conversely, if you want a warm and smooth vocal rendition, especially for singing, the AKG P120 should be your go-to.
  • Instruments: The P120’s ability to handle loud sound sources, thanks to its high SPL and the built-in pad, makes it an excellent choice for capturing anything from acoustic guitars to amplified instruments.
  • Podcasting/Streaming: Both mics fulfill this role capably, but I’d personally lean towards the AKG P120 for its better plosive rejection and the features that help avoid technical snafus.
  • Live Sound: Neither microphone is ideally suited for live setups—condenser mics generally struggle in high-noise environments, and both are optimized for studio use.

Noteworthy User Experiences

I stumbled across a variety of user testimonials while researching, mainly centered around the handling of each mic. Users found that the P120 was more beginner-friendly, especially for those stepping into the recording world. In contrast, audio engineers looking for a more neutral sound often gravitated towards the AT2020 for its remarkable clarity.

Limitations and Final Thoughts

Both microphones require 48V phantom power, which could limit your options if you only have battery-operated solutions. Neither model comes bundled with additional accessories like pop filters or shock mounts, which is a must-have if you want to optimize your recording quality.

Summary of Key Differences

If you’re weighing your choices, here’s a simple breakdown:

  • AKG P120: For the versatile creator requiring warmth, extra features, rough-and-tumble durability, and ease of use.
  • Audio-Technica AT2020: For the meticulous user seeking a neutral, accurate sound that’s excellent for studio setting work.

Conclusion: Picking Your Champion

Ultimately, both the AKG P120 and the Audio-Technica AT2020 represent fantastic value for novice audio enthusiasts and podcast aficionados. Your decision hinges on specific needs: if you want a more adaptable microphone with extra features, pick the P120. But if a straightforward, neutral recording experience is your goal, the AT2020 will likely serve you well.

Ready to take your audio game to the next level? Check the latest prices on Amazon or explore other recommended audio gear on Geeksper. Happy recording!

FAQ

Q: Which microphone is better for podcasting?

A: The AKG P120 is highly recommended for its plosive rejection and warm tone, making it great for spoken content.

Q: Do both microphones require additional equipment?

A: Yes, both require 48V phantom power and may benefit from pop filters and shock mounts for optimal performance.

Q: Can I use them for live performances?

A: Neither mic is ideal for live setups since they are condenser mics designed for studio recordings.

Q: Are the microphones compatible with home studios?

A: Absolutely! Both mics perform well in home studio settings.